Chroma: A Photographer's Guide to Lighting with Color. Nick Fancher

Chroma: A Photographer's Guide to Lighting with Color

ISBN: 9781681983103 | 224 pages | 6 Mb

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  • Chroma: A Photographer's Guide to Lighting with Color
  • Nick Fancher
  • Page: 224
  • Format: pdf, ePub, fb2, mobi
  • ISBN: 9781681983103
  • Publisher: Rocky Nook
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Chroma: A Photographer's Guide to Lighting with Color by Nick Fancher Learning to work with light is an important milestone in every photographer’s career, and the ability to craft light to fit your vision for an image is a skill that cannot be overrated. Most often, that crafting of light is spoken of in terms of the quality and quantity of light. But there is an important, third component of light that heavily influences the final look of the image: the color of light. In Chroma: A Photographer’s Guide to Lighting with Color , photographer Nick Fancher helps you elevate your game when it comes to introducing the bold, creative, and intentional use of color into your work. Whether you’re using a high-powered strobe or a small hotshoe flash, Chroma is for you. Nick begins with a discussion of color theory, gels, and white balance, then examines how to determine which colors complement your subject matter (whether that’s people or products). He moves on to cover topics such as: Balancing, mixing, and overpowering ambient light with artificial light Layering colors for unique color combinations Mixing hard and soft light to achieve extremely rich color Lighting detail and texture Modifier options, such as ring flash, snoots, barn doors, softboxes, and filters Gobos to control the light Post-processing for vibrant, powerful colors How (and why) to light with color, even when the end goal is a black and white image Illustrated throughout with innovative and expressive imagery, Chroma also includes behind-the-scenes photos, lighting diagrams, and Lightroom settings so you can follow along from the initial concept through to the final edit.

The Color of Light | Educational articles and book excerpts on
This excerpt from Stoppees' Guide to Photography & Light is provided courtesy of Focal Press. To purchase the As photographers, we learn to use these colors to communicate the moods that are associated with these times of day. We use the time of day So a color, in its full chroma, is not the norm. We think of pastels  Chromakey Photography Secrets -
Lighting subjects correctly makes post-production easier. Photographer Diane McCormick shooting a portrait using a chromakey background. Photo by "Spill" is the term that refers to: color that reflects off the background or walls of the room to cast a noticeable tint on areas of the subject or color that's showing through  Colorimetry - Wikipedia
Colorimetry is "the science and technology used to quantify and describe physically the human color perception." It is similar to spectrophotometry, but is distinguished by its interest in reducing spectra to the physical correlates of color perception, most often the CIE 1931 XYZ color space tristimulus values and related  handprint : color temperature
Color attributes such as lightness, hue or chroma are inherently defined by context — in particular, by the chromaticity of the light illuminating the objects in the image — so the best choice of warm or cool colors will depend on the design goals or painting purposes (abstract, expressionist, representational) for which the  45 best Color Gel Photography images on Pinterest | Colour gel
Explore LEE Filters's board "Color Gel Photography" on Pinterest. | See more ideas My name is Nick Fancher and I am a Columbus, Ohio-based commercial and portrait photographer. Jake Hicks Photography / takeaway: the getting ready to go out theme could use coloured lighting to create a bright evening feel Más. Light meter - Wikipedia
A light meter is a device used to measure the amount of light. In photography, alight meter is often used to determine the proper exposure for a photograph. Typically a light meter will include either digital or analog electronic circuit, which allows the photographer to determine which shutter speed and f-number should be  Studio Anywhere 2: Hard Light: A Photographer's Guide to Shaping
In Studio Anywhere 2: Hard Light, photographer and author Nick Fancher builds on the success of his previous book (Studio Anywhere: A Photographer's Guide to Shooting in Unconventional Locations) as he continues to offer candid, practical, and valuable lessons on how to create successful and fresh photographs  Munsell Color System - Pantone
The chroma scale starts at zero, for neutral colors, but there is no arbitrary end to the scale. As new pigments have become available, Munsell color chips of 6 is the value (moderately light), and a 14 chroma indicates a highly chromatic color. . For the studio photographer, the ColorChecker Gray Scale permits quick. Westcott Eyelighter - A fashion photographer's - Westcott Lighting
Unique curved reflector; Reflects stunning beauty lighting; Create beautiful curved catchlights; Westcott-exclusive design; Ultra-reflective silver surface; Durable high-end construction; Perfect for fashion, beauty, and headshot photography; Simple setup and teardown; Impressive portability. $299.90. Availability: In stock. LEE Technical Lighting Filters - Daylight, Tungsten and Fluorescent
Our technical filters are designed to convert and manipulate light sources with a high degree of accuracy. These colours have been specifically designed to recreate different types of urban lighting effects ranging from High and Low Pressure Sodium to the general orange and mustard look associated with streetlighting. Using Color Correction effects in After Effects - Adobe Support
Using these tools, you can adjust color, contrast, and light in your sequences in new and innovative ways. With editing and color grading working hand in . andlight pink match, for example. Chroma uses the two chrominance components to determine similarity, ignoring luminance (lightness). Invert Color  The Practical Guide To Color Theory For Photographers - Fotographee
Color is visible but not tangible because it lives in light. The visible light spectrum (picture on left) that we perceive is part of a wider spectrum called the electromagnetic spectrum. A red car is perceived as a red car because the painted red surface absorbs all the visible light except for red, which reflects off the surface into 

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